Interventions and arrangements are interpreted as byproducts of actions rather than seen as self-contained objects. Sites are treated as molds in which records emerge through situational imprinting. Chosen according to immediate need, everything can be considered material and translated through context and emotional state. The formal expressionoften remains neutral, aiming for authenticity. 

Sculpture is understood as a lived circumstance; it remains flexible rather than static. Depending on spatial situations, the work adapts to new configurations. Imprints are compact and foldable, yet expandable, responding to contemporary spatial constraints.

Constructions often arise from destructive acts. I perceive, disrupt, and reclaim from the relentless cycle of production that characterizes contemporary society. The work relies on repetition, rehearsal, and dedication as it oscillates between industrialism and vandalism.