Interventions and arrangements are interpreted as byproducts of actions rather than seen as self-contained objects. Sites are treated as molds in which records emerge through situational imprinting.The formal expression often remains neutral, aiming for authenticity. 

Sculpture is understood as a lived circumstance; it remains flexible rather than static. Depending on the situation, the work adapts to new configurations. Imprints are compact and foldable, yet expandable, responding to spatial constraints.

Constructions often arise from destructive acts. I perceive, disrupt, and reclaim from the relentless cycle of production that characterizes today’s society. The work relies on repetition, rehearsal, and dedication as it oscillates between industrialism and vandalism.