The practice is based on interventional gestures translated into objects, images, and spatial arrangements. It examines the evolution of rituals and their impact on society. The work creates spaces for concentration where aesthetic pleasure, humor, and curiosity intersect. Materials are sourced from sidewalks, alleys, thrift shops, junkyards, institutions, and corporations, where byproducts, surplus, and waste become origins for inspiration, manipulation, and transformation. He perceives, researches, disrupts, and reclaims from the relentless cycle of production that characterizes contemporary society. Interventions occupy sites and confront the ever-expanding world of commodities. The practice relies on repetition, rehearsal, and dedication as it oscillates between industrialism and vandalism.